Stainless steel, rear projection screen, projected video, 26’ 123x34x60cm © Sara De Brito Faustino Shown for Revolt Against the Sun!, Kunsthaus Baselland, 2025, by Margaux Bonopera and Chus Martínez

Sculpture for a screening (cellar), 2025

Stainless steel, projected video, 6’40’’ 140x140x60cm © Sara De Brito Faustino Shown for Revolt Against the Sun!, Kunsthaus Baselland, 2025, by Margaux Bonopera and Chus Martínez

Sculpture for a peeping Tom (apartements), 2025

Stainless steel, projected video, 6’40’’ 140x140x60cm © Sara De Brito Faustino Shown for Revolt Against the Sun!, Kunsthaus Baselland, 2025, by Margaux Bonopera and Chus Martínez

Sculpture for a peeping Tom (apartements), 2025

Kunsthaus Baselland, 2025, by Margaux Bonopera and Chus Martínez © Sara De Brito Faustino

Group exhibition view, Revolt Against the Sun!

By Mohamed Almusibli, Yana Kadykova and Lena Katharina Reuter © Philipp Hänger / Kunsthalle Basel

Group exhibition view, A Private Smile Kunsthalle Basel 2024-2025

Gel transfer on stainless steel, anal plug, synthetic fox tail each 28,5x18x20cm © Gina Folly Shown for Phantoms, Kunst Raum Riehen, 2025, by Matthias Liechti and Simone Neuenschwander

Solo, Silences, Apparition, Ralph’s Club, Him (CKIN2U), Égoïste (from left to right), 2025

Gel transfer on stainless steel, 28,5 x 18 x 20 cm

Ralph’s Club, Silences (details), 2025

Loèche-les-bains (Lucien meets Giovanni), 2024

Gel transfer on aluminium, magnets, inkjet print on paper, display case, keys, 65x49x6cm © Sebastian Verdon Shown for A cappella, EAC (les Halles) Espace d’Art Contemporain (Porrentruy), 2024, by CIRCUIT Centre d’Art Contemporain Lausanne

  

Untitled (Slice of life) (I-II), 2024

Engraved glass watches, 4x4x0,2cm each hung at 1,83 and 1,78 meters from ground Score:Throughout the day, the natural light of the window projects two shadows, the portraits of Lucien Happersberger and James Baldwin. As the day progesses, the latter one, too close to the edge, disappear first. Shown for A cappella, EAC (les Halles) Espace d’Art Contemporain (Porrentruy), 2024, by CIRCUIT Centre d’Art Contemporain Lausanne

Gel transfer on aluminium, stainless steel, perfume samples, 20x15x10cm Shown for Listening through the wall with a soft plastic cup, Les pralinés - pour tous, Basel, 2025 by Estéfana Román Matesanz 

Sculpture for a quatrain (for stanzas), 2025

Gel transfer on anodized aluminum, varnish, perfume samples: La Nuit Trésor Lancôme; Bel Ami Hermès; MySelf YSL; H24 Hermès; Only the brave Diesel; Eros Versace; Phantom Paco Rabanne; Idôle Lancôme; Fame Paco Rabanne; Gucci Rush; Gucci Guilty; Boss Hugo; Gentleman Givenchy; Going Bang Emil Elise; L’Homme Idéal Guerlain; Bathing in a Daydream Emil Elise, 35x175x20cm © Mathilde Lesueur Shown for Unprecedented times, Space invasion #3, Fabienne Levy (Geneva), 2024

Sculpture for a sex worker, 2024

Gel transfer on stainless steel, anal plug, synthetic fox tail, 28,5x18x20cm

Égoïste (detail), 2025

Bleach on bath mat, cardboard and plastic register, approx. 60x40cm each Shown for A Friend of a Friend of a Friend, Der TANK (Basel), 2025, by Cruz Franco Nazar

Nostalgia is a different kind of pain(t), 2025

Gel transfer on aluminium, magnets, inkjet print on paper, display case, keys, 65x49x6cm © Sebastian Verdon Shown for A cappella, EAC (les Halles) Espace d’Art Contemporain (Porrentruy), 2024, by CIRCUIT Centre d’Art Contemporain Lausanne

Loèche-les-bains (Lucien meets Giovanni), 2024,

Bleach on bath mat, cardboard and plastic register, approx. 60x40cm each Shown for A Friend of a Friend of a Friend, Der TANK (Basel), 2025, by Cruz Franco Nazar

Nostalgia is a different kind of pain(t) (detail), 2025